{"title":"LYNCHING","description":null,"products":[{"product_id":"free-cuba-che-guevara-art-print-framed-poster-copy","title":"Pictures of Lynching Sell for 50 Cents Each — 1920 Newspaper Clipping","description":"\u003cp\u003e\u003cstrong\u003eVirginia, June 18.\u003c\/strong\u003e — A newspaper dispatch reports that photographs of the Duluth lynching — showing two bodies still hanging from a light post and one on the ground — had appeared in Virginia and were selling for 50 cents each.\u003c\/p\u003e\u003cp\u003eThe Duluth lynchings of June 15, 1920 claimed the lives of three Black circus workers: Elias Clayton, Elmer Jackson, and Isaac McGhie. They were accused without evidence, pulled from police custody by a white mob, and murdered. Postcards and photographs of their bodies were sold as souvenirs.\u003c\/p\u003e\u003cp\u003eThis clipping is not an anomaly. It is documentation of a practice. Lynching photographs were widely circulated, displayed, and sold across the United States during the height of racial terror — used to intimidate Black communities and celebrate white mob violence with impunity.\u003c\/p\u003e\u003cp\u003eThis Receipt preserves that record.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. 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The paper notes approvingly that “even among the colored race the work of the lynchers met with approval.”\u003c\/p\u003e\u003cp\u003eThat sentence is part of the record too.\u003c\/p\u003e\u003cp\u003eThis clipping documents not only the act of racial terror, but the language used to normalize and justify it — in print, in public, without consequence. These newspapers were read at breakfast tables. Filed in libraries. Preserved in archives.\u003c\/p\u003e\u003cp\u003eThis is what the record looks like.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. Framed or print only.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Receipts of Freedom","offers":[{"title":"Large 24 x 33 \/ Black","offer_id":47651328884790,"sku":null,"price":59.0,"currency_code":"USD","in_stock":true},{"title":"Large 24 x 33 \/ Silver","offer_id":47651328917558,"sku":null,"price":59.0,"currency_code":"USD","in_stock":true},{"title":"Medium 16.5 x 23.4 \/ Black","offer_id":47651328950326,"sku":null,"price":49.0,"currency_code":"USD","in_stock":true},{"title":"Medium 16.5 x 23.4 \/ Silver","offer_id":47651328983094,"sku":null,"price":49.0,"currency_code":"USD","in_stock":true},{"title":"Small 11.6 x 16.5 \/ Black","offer_id":47651329015862,"sku":null,"price":39.0,"currency_code":"USD","in_stock":true},{"title":"Small 11.6 x 16.5 \/ Silver","offer_id":47651329048630,"sku":null,"price":39.0,"currency_code":"USD","in_stock":true},{"title":"Large 24 x 33 \/ No Frame","offer_id":47651329081398,"sku":null,"price":39.0,"currency_code":"USD","in_stock":true},{"title":"Medium 16.5 x 23.4 \/ No Frame","offer_id":47651329114166,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true},{"title":"Small 11.6 x 16.5 \/ No Frame","offer_id":47651329146934,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/0272\/7990\/files\/Exhumed_Black_Frame.png?v=1788838643"},{"product_id":"negros-body-torn-by-mob-exhumed-and-burned-crisfield-md-newspaper-clipping-copy","title":"Joe Vermilion’s Fate — Upper Marlboro Lynching, Baltimore Sun Extra","description":"\u003cp\u003e\u003cstrong\u003eSpecial Dispatch to the Baltimore Sun — EXTRA.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA newspaper extra reports the lynching of Joe Vermilion at Upper Marlboro, Maryland. A band of masked men overpowered the jailer at gunpoint, seized Vermilion from the prison door, dragged him to a bridge, and left his body hanging for the coroner’s investigation.\u003c\/p\u003e\u003cp\u003eThe paper records the charge against him: setting fire to barns and a dwelling. The subheadline describes it as “a son’s revenge for the loss of his father’s home.” Six men were later arrested by constables at the point of a pistol. One brother accused another of being the incendiary.\u003c\/p\u003e\u003cp\u003eThe mob did not wait for any of that to be sorted out.\u003c\/p\u003e\u003cp\u003eThis clipping was significant enough to warrant an EXTRA edition — a special print run rushed to press outside the normal publication schedule. It was news. It sold papers. And it documented, without condemnation, what a group of masked men did to a prisoner in custody.\u003c\/p\u003e\u003cp\u003eThis Receipt preserves the front page as printed.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. Framed or print only.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Receipts of Freedom","offers":[{"title":"Large 24 x 33 \/ Black","offer_id":47651333374006,"sku":null,"price":59.0,"currency_code":"USD","in_stock":true},{"title":"Large 24 x 33 \/ Silver","offer_id":47651333406774,"sku":null,"price":59.0,"currency_code":"USD","in_stock":true},{"title":"Medium 16.5 x 23.4 \/ Black","offer_id":47651333439542,"sku":null,"price":49.0,"currency_code":"USD","in_stock":true},{"title":"Medium 16.5 x 23.4 \/ Silver","offer_id":47651333472310,"sku":null,"price":49.0,"currency_code":"USD","in_stock":true},{"title":"Small 11.6 x 16.5 \/ Black","offer_id":47651333505078,"sku":null,"price":39.0,"currency_code":"USD","in_stock":true},{"title":"Small 11.6 x 16.5 \/ Silver","offer_id":47651333537846,"sku":null,"price":39.0,"currency_code":"USD","in_stock":true},{"title":"Large 24 x 33 \/ No Frame","offer_id":47651333570614,"sku":null,"price":39.0,"currency_code":"USD","in_stock":true},{"title":"Medium 16.5 x 23.4 \/ No Frame","offer_id":47651333603382,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true},{"title":"Small 11.6 x 16.5 \/ No Frame","offer_id":47651333636150,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0736\/0272\/7990\/files\/Joe_Vermillion_Black_Frame.png?v=1788839377"},{"product_id":"lige-daniels-center-texas-august-3-1920-copy","title":"Mob Hangs Negroes — Duluth News Tribune Front Page, June 16, 1920","description":"\u003cp\u003e\u003cstrong\u003eDuluth News Tribune, June 16, 1920.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe morning after three Black men were dragged from the Duluth city jail and lynched at a street corner, the local paper ran this front page. The headline fills the frame. The subheads record the rest: police powerless, crowd fired by vengeance, lynchers may be prosecuted.\u003c\/p\u003e\u003cp\u003eThe three men were Elias Clayton, Elmer Jackson, and Isaac McGhie — circus workers who had been accused, without evidence, of assaulting a white woman. A physician's examination found no evidence of assault. They were pulled from custody anyway, beaten, and hanged before a crowd estimated in the thousands.\u003c\/p\u003e\u003cp\u003ePhotographs of their bodies were printed as postcards and sold for 50 cents each — as documented in a companion Receipt in this catalog.\u003c\/p\u003e\u003cp\u003eThree men were eventually tried for the lynchings. One was convicted of rioting. He served less than three years.\u003c\/p\u003e\u003cp\u003eThis front page was printed the morning it happened. It is the record as the city saw it on June 16, 1920.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. 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Four words: \u003cstrong\u003eA MAN WAS LYNCHED YESTERDAY.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eBetween 1920 and 1938, the NAACP flew this flag from their offices at 69 Fifth Avenue in New York City every time a lynching was reported in the United States. It was an act of witness — a public declaration that the country needed to see what was happening, even when the country did not want to look.\u003c\/p\u003e\u003cp\u003eThe flag was flown more than once. Each time it went up, it meant someone had been killed.\u003c\/p\u003e\u003cp\u003eThe landlord eventually threatened eviction if the NAACP continued to fly it. They flew it anyway. The practice stopped only when the threat of losing their offices became too great to ignore.\u003c\/p\u003e\u003cp\u003eThis photograph is one of the most recognized images of organized resistance to racial terror in American history. It belongs in the Resistance collection not because the NAACP won that day, but because they made sure the street below knew what had happened.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. 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CORPSE STRUNG ON POLE. FIERCE RACE WAR IS FEARED.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eThis is a different paper's account of the same event documented in two companion Receipts — \u003cem\u003eLeave Church to Lynch Man\u003c\/em\u003e and \u003cem\u003eNegro's Body Torn by Mob\u003c\/em\u003e. Where those clippings reported the church departure and the exhumation, this one fills in what happened in between.\u003c\/p\u003e\u003cp\u003eReed had fled by rowboat across Tangier Sound. He was pursued by a gasoline launch, captured at a dock, torn from his captors by the mob, and beaten to death before he could be dragged 100 yards. The paper notes that the lynching occurred in broad daylight and that no masks were worn.\u003c\/p\u003e\u003cp\u003eNo concealment. No pretense of anonymity. The men who killed James Reed did not hide their faces.\u003c\/p\u003e\u003cp\u003eThe third headline — \u003cem\u003eFierce Race War Is Feared\u003c\/em\u003e — is the paper's framing of community response. Not grief. Not outrage at the killing. Fear of retaliation.\u003c\/p\u003e\u003cp\u003eThree clippings. Three newspapers. Two days. One man killed and then desecrated. This is the complete record as the local press left it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. 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Less conservative accounts place the total at between thirty and forty.\u003c\/p\u003e\u003cp\u003eThe Slocum Massacre began on July 29, 1910, when white mobs moved through the farms and roads of Slocum, Texas, hunting Black residents. Men working in their fields were shot. Families fled into the woods. Some escaped. Many did not.\u003c\/p\u003e\u003cp\u003eThe paper frames it as a “racial clash” and reports that “enmity between the races” had been brewing for weeks — as if the massacre were mutual. It was not. White men with guns moved through the county killing Black men. No comparable violence came from the other direction.\u003c\/p\u003e\u003cp\u003eSeven white men were indicted. None were convicted.\u003c\/p\u003e\u003cp\u003eThe Slocum Massacre is one of the least known racial massacres in American history. This newspaper clipping — printed the day after it happened — is one of the primary documents that proves it occurred.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. 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The subheadlines complete the picture: \u003cem\u003eSherman Goes on Rampage. Courthouse Burned Down.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003eThe man killed was George Hughes, a farm worker accused of assaulting a white woman. While Hughes was being held inside the courthouse awaiting trial, a mob of thousands gathered outside and set the building on fire. When troops arrived, the mob turned on them. The courthouse burned. Hughes died inside it.\u003c\/p\u003e\u003cp\u003eThe mob was not finished. They dragged his body from the ruins, chained it to a tree in the Black business district, and burned it again. Then they burned the district itself.\u003c\/p\u003e\u003cp\u003eThe Governor of Texas called in the National Guard and declared martial law in Sherman. Several men were eventually arrested. Most charges were dropped or resulted in minimal sentences.\u003c\/p\u003e\u003cp\u003eThis New York Times front page is the national record of that day — the moment it became news large enough to print above the fold, two cents, in New York City.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. 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Hundreds of men, women, and children. Some look toward the camera. In the background, a body hangs from a tree.\u003c\/p\u003e\u003cp\u003eThis is a spectacle lynching — a public execution staged for an audience. These events were advertised in newspapers, attended by entire towns, and photographed for distribution. The photographs were printed as postcards and sold as souvenirs.\u003c\/p\u003e\u003cp\u003eThe crowd is not hiding. That is the point.\u003c\/p\u003e\u003cp\u003eBetween 1877 and 1950, more than 4,000 Black people were lynched in the American South alone. Spectacle lynchings were designed to send a message to every Black person within reach of the news: this is what power looks like, and it will not be punished.\u003c\/p\u003e\u003cp\u003eThis photograph is part of that message. Preserved here as a Receipt — because the record should not be buried.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAvailable in three sizes. 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